Movies Song

Kurutham Kettavan – A Malayalam Album With A Difference

I first heard of Kurutham Kettavan from mom. She heard about this new Malayalam music video featuring Suraj Venjarammoodu and Ranjini Haridas on TV and alerted me immediately. Not exactly a fan of Ranjini, I didn’t show much interest. But mom seemed all hyped up about the video, despite not having seen it. Now, my mom’s the last person who’d follow a new music album or anything. So I really didn’t have a clue as to why my mom showed interest on Kurutham Kettavan.

Only until I saw the video myself. ๐Ÿ™‚

Made in the ‘Palavattam’ mould, the album tries to undo (irreparable) damage done to the Malayalam Music scene by a juggernaut called ‘Silsila’ (incidentally made by a namesake of mine ๐Ÿ˜ ). Sung by Anoop Sankar (Asianet Plus fame) and composed by Hariprasad, the peppy number has a tongue-in-cheek video featuring Ranjini and Suraj.

The song is about the travails of a random guy, played by Suraj Venjarammoodu, who isย  a Kurutham Kettavan (one who’s upto no good) from childhood. Ranjini Haridas is Rosykutty, his love interest. Pepped with 3D animation, the video has a cartoonish-feel to it, making it quite endearing. The song’s also pretty-good, and matches upto the ‘Palavattam’ quality.

Kurutham Kettavan is a product of Vishraam Creations. Favour Francis is the video-director. Prakash Velayudan has handled the camera while Sushil has crafted the 3D visuals of the video. The video is edited by Dheeraj Warrier.

You’d surely enjoy the video, if you know the language. Do check it out! ๐Ÿ™‚

Musings Song

Tribute to M.G. Radhakrishnan

It’s been a week since the demise of Malayalam music director M.G. Radhakrishnan.

Image Courtesy:

Brother to singer M.G. Sreekumar, Radhakrishnan was a stalwart in the Malayalam Music scene. His tracks had the simplest of tunes. Yet, they would capture every bit of your aural presence and take you to another level. The down-to-earth music director started-off composing music for the All India Radio. After the success of many songs he pioneered for the radio (including a popular radio show teaching music for listeners), he was invited to do the music for the Malayalam movie ‘thampu’. Soon, offers came pouring in, and Radhakrishnan churned out mellifluous tunes for many movies including ‘Manichitrathazhu‘, ‘Agnidevan’, ‘Devasuram‘, ‘Advaitham’, ‘Ananthabhadram‘, et al. He’s bagged the state award twice for ‘Achaneyanenikkishtam’ and ‘Ananthabhadram‘.

I’ve forever been a fan of the musical maestro. I find immense solace in some of his tracks, in times of despair. My favourite MG track is ‘Sooryakireedom‘ from Devasuram – a haunting song that talks about the transcience of death and the uncertainity of life. The news of M.G’s death came a day late to me. M.G. is one of my favorite Music Directors, right after Raveendran. I actually had plans to interview M.G. for the papers, and a friend had even given me his contacts. In that context, the news of his demise pinned me down with despair and shock.

I could not help but offer my tributes to the maestro who has continue to amaze me with his tracks. Here’s my cover a favourite M.G. Track.

Song Name: Vande Mukunda Hare.

Movie: Devasuram (1992)

Singer: M.G. Radhakrishnan

Vande Mukunda Hare | Music Codes

The video of this song has Oduvil Unnikrishnan‘s character (Peringodan Shankara Marar) bids his adieu to buddy Mangalasseri Neelakantan (Mohanlal) – A feudal landlord,who stands wounded and decapitated after an ambush. Marar can’t bear the sight of watching his once-healthy mate now in tatters. The lyrics of the song make references to mythology: Kuchela is bidding goodbye to Lord Krishna, who meets death by a stray arrow after the destruction of Dwarka.

Rest in peace, Radhakrishnan Sir. I know I haven’t done justice to your original rendering, but I’ve tried my best here. We’ll miss you! ๐Ÿ™

Musings Song

Papa kehte hain, bada naam karega!

Last night, I was pursuing some long procrastinated work. The job was quite tedious and I had to sit up late into the night to get it done. As always, Amarok was blaring my favourite songs through my Creative 4.1, while I worked away. I’m in love with the Amarok shuffle algorithm – it beats the shits out of every other audio player in the market, even iPod/iTunes player, for that matter. My recently acquired the habit of putting all songs on shuffle comes from using Amarok – the song selection is eclectic in the best possible way. Hats-off to the community for the brilliant work on the music player! ๐Ÿ™‚

It was roughly 2 AM in the morning, and I still had miles to go before I sleep. ๐Ÿ˜ Nevertheless, I saved my files, switched off the monitor and flopped onto my bed, with music still on – albeit in low volume. It was time to call it a day. The ending notes of “Wish you were here” were fading away, probably taking cue from my sleep-deprived eyes. I’d almost slipped away into the valley of deep slumber when the Floyd song had concluded.

That was when Amarok decided to do a back-flip.

The psychedelic notes of Floyd gradually crossfaded to early-nineties jazz beats – complete with trumpets. Any Floyd fan would die for an encore of the favourite track – hence, the crossfade proved jarring to my ears. Enraged, I woke up with a start and rushed to the keyboard to plus the “Ctrl+V” shortcut for the next song.

I stopped, midway.

The jazz beats gave strong deja vu. The trumpets, the generous use of nineties’-electronic guitar; it was one song I thought I’d never forget – yet, I couldn’t place it fully. I sat down on the bed, as my head lowered itself involuntarily, as my mind raced through the portals of my long-term memory, in search of the track. (I could easily have walked upto the monitor and switched it on to check the track out, but somehow, I didn’t.)ย  That was when the jazz beats paused momentarily, and a resounding male voice ensued.

The same voice that muttered “Aal izz well!” – the voice of Aamir Khan! I listened in silent recognition, involuntarily smiling in the process, as I listened to Aamir’s (famous) monologue from his debut-movie “Qayamat Se Qayamat Tak”:

Doston (Friends),

Aaj college ka aakhri din hai, (Today’s the last day of college)
aur aane waale zindagi ke liye sabhi ne kuch na kuch soch rakha hai. (And all of you would’ve thought what to do with the rest of your lives.)
Lekin maine apne liye kuch nahin socha hai! (But I haven’t done that!)
No, really I mean it.
Aur aaj, aaj mujhe baar baar, ek hi khayaal aa raha hai… (And today… Today, I this thought repeatedly comes back to my mind…)

As Udit Narayan‘s voice took over from Aamir to sing the rest of “Papa kehte hai bada naam karega…” (My dad’s told me that I’d be famous.) – I couldn’t help lip-sync and sing the entire song, prancing about the room – in elation and goosebumps!

As the song concluded, I realized that I was smiling incessantly. I felt so ironic and overjoyed. Turns out that even I’m at the fag end of my college life, and I’m still at crossroads regarding what to do with the rest of my life, while the people around me have more or less zeroed in on their futures.

And the best part is, there used to be a time, I emphasize, there USED TO be a time, when my ‘Papa’ used to constantly reassure me that I’d have a “bada naam” in life! ๐Ÿ™‚

Not having a clue about life used to bug me big time – it used to inculcate this huge wave of depression in me. Having already chosen the wrong career option three years back, and struggling to escape from it, I couldn’t make another mistake with my life – this fact used to plague me badly. Constant thoughts about careers barraged my mind with needless anxiety and I was confused. Even though I’d reached an interim conclusion about the career that I’d (hopefully) be pursuing post-B.Tech, the daunting task of preparing myself for it still scares me – considering the fact that I’m a habitual procrastinator afflicted by the ‘lazybones-syndrome’.

But this song, made the confusion seem ‘fashionable’ and actually inspiring. The first stanza of the song literal translates to: “My dad reassures me that I’d do well in life, but I’ve no clue where I’d end up.” But unlike Aamir Khan, I don’t have an inspired, teary-eyed dad watching his happy-go-lucky son sing glory about his long lost father’s belief in his capabilities. In my case, well, circumstances (many of which were self-made) made my dad openly retract his assurances, which is the worst thing a dejected son/daughter could get. But the song kindled sweet, long-lost memories of doting-praise and patient, endearing-encouragement – I got my much-needed recharge! ๐Ÿ™‚

Perhaps, my dad was watching at a singing-dancing me through my room door’s peephole, silently-inspired, with tears welling in his eyes!! ๐Ÿ˜€


Donโ€™t feel guilty if you donโ€™t know what you want to do with your lifeโ€ฆ
The most interesting people I know didnโ€™t know at 22 what they wanted to do with their lives,
Some of the most interesting 40 year olds I know still donโ€™t.

From Baz Luhrman‘s Sunscreen

Audio Post Song

Lafzon Mein Keh Naa Sakoon!

Song: Lafzon Mein Keh Naa Sakoon

Original Artist: Abhijeet Sawant

Album: Aap Ka Abhijeet Sawant (2005)



This song is dedicated to someone special – someone very special and close! My love for her can’t be expressed in words, neither can I exist without it being mentioned. What better way could it be put across, other than, through a song? ๐Ÿ™‚

If you’re listening to this dear, I just wanted you to know that you’re THE best! Love ye! >:D<


This is the first song I’d sung at college. I still vividly remember singing it for the fresher’s day in 2007! ๐Ÿ™‚ So, I’ve a special attachment to this track. Kudos to Abhijeet (who is incidentally the first winner of Indian Idol, in 2005)ย  for this super-awesome song! \m/